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The streets didn't raise no fool when you live by the code nigga it's only one rule Stay on your grind (that's right) gotta a low tolerance for ignorance (ignorance) you're thinking pleasure I'm thinking business. and I don't believe in wastin time we'll catch them hoes later. Pimping make your move get your cake fuck what you heard through the grapevine get outta line nigga I'm gonna straighten mine. Some niggas rob (what) some niggas slang (foreal) some niggas stack (naw) some niggas bang (chea) but I congratulate not player hate you in the streets Shorty you ain't gotta walk but its still one rule player don't get caught fuck every hoe you hit dog and every hoe you toss cause its still one rule player don't get caught. Still one rule pimping - don't get caught. cause everything you gain dog and everything you lost but its You can do your thang shawty its okay to floss but its still one rule player - don't get caught. But I talk to him the right way he told me
Lyrics young jeezy thug motivation 101 full#
Or a bag full of O's wrapped in duct tape nigga between some dirty ass clothes.
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( for real) my drivers license is revoked just got done burning so I know he smell the smoke (damn) but never let 'em see you see sweat 'cause if he search your Should I stay should I run got hard got soft got pills got guns
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Trunk full of Yoda heated situation flashlight in my eyes he want my registration (what) Oh not a problem officer it's all good I'm just know what I'm saying comming from dropping my little boy off at my baby momma house here go my license right here We buy mixtapes for a reason, dudes.Sir, could you please step out of the car Why more artists don't follow the Illmatic code remains a mystery. Barring the Bun B-assisted classic "Trap or Die" and the soul-jockeying "Talk to Em" the album's second half really lags and Jeezy's allure ultimately wears. A recent remix featuring New York kings Jay-Z and Fat Joe was one of the more obvious (and thrilling) things to happen to hip-hop in recent months and confims Jeezy's universality.Īll the fun shit aside, at 19 tracks and no skits, Let's Get It is long and can become a chore to wade through. It is also the best 1998 Roc-A-Fella drug rap song in some time, featuring producer Don Cannon's spare tom rolls, classy horns and a killer chorus. "Go Crazy" is the height of the Mason-Dixon bridge. "And Then What" finds Mannie Fresh in fine, fat-faced form while Jeezy heads down to his "Auntie House" before he goes boom, boom clap.
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"Get Ya Mind Right" runs on horror movie organ fuel, like a Goblin-Argento soundtrack redux. "My Hood", while cheap, easy, and out of character for the steadily mean-mugged Jeezy, is blissful, thanks to a chintzy Casio beat and some sort of My Hood=Our Hood claptrap. There's no parsing through flow and lyrics and drum machines. For Jeezy, it's the essence of his persona: maniacal shouting, catchphrases, euphoria, instant gratification. For most MCs this would weigh down their words. Unbridled "Daaaayuums" and everlasting "Yeeeeaaahs" or "Thaaaaat's riiiiight"s punctuate each song. By now Da Snowman's ad-libs are things of legend. He punctuates the song with his calling card. He breathes hard on the track and stares down his microphone like it hates him. It's a joyous moment but also the scariest album opener I've heard this year. On opener "Thug Motivation 101" Jeezy pounds his chest and growls, "I used to hit the kitchen lights, cockroaches er'where/ Now I hit the kitchen lights, there's marble floors er'where" over tense, eerie keyboards.